Alan Bates decided to be an actor at age 11. After grammar school in Derbyshire, he earned a scholarship to the Royal Academy of Dramatic Arts in London. Following two years in the Royal Air Force, he joined the new English Stage Company at the Royal Court Theatre. His West End debut in 1956, at 22, was also the Company's first production. In the same year Bates appeared in Osborne's "Look Back in Anger," a play that gave a name to a generation of post-war "angry young men." The play made Bates a star, and launched a lifetime performing in works written by great modern playwrights -- Pinter, Gray, Storey, Bennett, Shaffer, Stoppard (as well as Chekhov, Ibsen, Strindberg, Shakespeare). Four years later, Alan Bates appeared in his first film, a classic: "The Entertainer," in which he plays one of Laurence Olivier's sons. More than fifty film roles have followed, one of which, "The Fixer" (from a novel by Bernard Malamud) earned an Academy Award nomination for Bates. Bates married Victoria Ward in 1970. Their twin sons, Benedick and Tristan, were born in 1971. Tristan died during an asthma attack in 1990; Ward died in 1992. Bates threw himself into work to live through these tragedies, and spoke movingly about the effects of his losses in interviews. He was the Patron of the Actors Centre in Covent Garden, London; Bates and his family endowed a theatre there in memory of Tristan Bates, who, like his father and brother, was an actor. With few exceptions, Bates performed in premium works, guided by intuition rather than by box-office. For each role he created a three-dimensional, unique person; there is no stereotypical Alan Bates character. Women appreciate the sensitivity he brought to his romantic roles; gay fans appreciate his well-rounded, unstereotyped gay characters; and the intelligence, humor and detail - the smile that started in the eyes; the extra pat or squeeze; the subtle nuances he gave to his lines; his beautiful, flexible voice - are Bates hallmarks that made him special to all his admirers. The rumpled charm of his youth weathered into a softer, but still attractive (and still rumpled) maturity. In his sixties, Alan Bates continued to divide his time between films, theatre and television. His 1997 stage portrayal of a travel writer facing life's big questions at the bedside of his comatose wife (in Simon Gray's "Life Support"), was called "a magnificent performance, one of the finest of his career." (Charles Spencer, Sunday Telegraph, 10 August 97). His last two roles in New York earned critical praise and all the Best Actor awards Broadway can bestow. He was knighted in January 2003, and only a few weeks later began treatment for pancreatic cancer. He was positive that he would beat the disease, and continued to work during its course, only admitting to being "a bit tired." His courage and strength were remarkable, and even in his final days his humor remained intact. After his death, there was an outpouring of affection and respect. As Ken Russell said in his Evening Standard tribute, "the airwaves have been heavy with unstinted praise for Alan Bates since his untimely death ... All the tributes were more than justified for one of the great actors ever to grace the screen and stage."